Abouzar ghasemi Arani; Yahya Marof
Abstract
In recent years, women poets, by recognizing their feminine identity, have been able to establish emerging literary developments by creating currents in the field of language and cognition. They have also tried, by using feminine language and creative techniques in making their works, to influence the ...
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In recent years, women poets, by recognizing their feminine identity, have been able to establish emerging literary developments by creating currents in the field of language and cognition. They have also tried, by using feminine language and creative techniques in making their works, to influence the feelings, thoughts, personal and social concerns of a woman. Moreover, they have tried to work with men in various literary fields such as poetry, prose, novels, etc., free literature from the domination of masculine language and speech, and transform this ancient masculine tradition. There are well-known and famous poets in contemporary Iran and Oman, each of whom has played a significant role in shaping women's literature. Saida bint khater Al-Farsi is the pioneer of Omani women's poetry, who deals with women and her identity in her poems. Tahereh Saffarzadeh is an Iranian woman poet who has played a significant role in the literature of the Islamic Revolution. In this study, using poetic examples and charts, Feminine language in the poetry of two poets in a comparative way, on two lexical levels (Vocabulary - Compositions - Verbs and Phrases) and syntactic (question sentences, surprise sentences, emphatic sentences). Differences and similarities of feminine language were revealed in two different cultures. Al-Farsi, for example, uses feminine words to express sensory-emotional themes to fill the romantic dimension of her poem, while feminine language in Saffarzadeh's poem is a tool to convey message and thought. Both poets use feminine language to express social purposes such as feminism, the defense of women's rights, patriotism, naturalism, and so on
